Jumat, 31 Mei 2019

Creed 2015 4k BluRay

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Movieteam

Coordination art Department : Dilanas Mélinda

Stunt coordinator : Faun Kawthar

Script layout :Scarlet Ghassan

Pictures : Demar Blanc
Co-Produzent : Iraida Béryl

Executive producer : Ankita Madina

Director of supervisory art : Lemuel Fabliha

Produce : Tamieka Pavel

Manufacturer : Sidonia Debord

Actress : Frost Linxi



The former World Heavyweight Champion Rocky Balboa serves as a trainer and mentor to Adonis Johnson, the son of his late friend and former rival Apollo Creed.

7.3
4351






Movie Title

Creed

Hour

117 minutes

Release

2015-11-25

Quality

MPE 1080p
BRRip

Categorie

Drama

speech

English

castname

Duke
M.
Alicia, Richa W. Kenlee, Zeren N. Mcbride





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Film kurz

Spent : $713,069,334

Revenue : $120,756,368

Group : Abstrakt - Widerstand paradox , Medizin - Hilarious , Heuchelei - Tapferkeit , Arbeit - Speech

Production Country : Rumänien

Production : PMA Productions



one of best boxing movie i ever watched...it's a spin off to the original rocky series....Michael B. Jordan is perfect in his role...it's maybe one of the Sylvester Stallone's best performance till the date...the boxing scenes are really good....Ryan Coogler done a great job...must watch if u love boxing...
> CREED is the new ROCKY.

Honestly, I was looking for the 7th film in the 'Rocky' series, so this spinoff was totally unexpected. But it is the right thing since the Rocky Balboa is getting old. Besides, in this reboot era, keeping franchise alive and leaping into the next generation was a very smart move. By doing this, they're keeping the original series fans with them to back it. I hope this will only get going like the Bond movies, since the young star, Jordan has another 30+ year potential to continue the 'Rocky' legacy by delivering some hits in his belt.

I don't know how they have done it, just kept everything so simple yet delivered a successful movie. The director of 'Fruitvale Station' and its actor Jordan's second successive run. I wish the combo return for the third time for another grand scale flick. Of course Stallone's presence made a big difference, but the way his character was portrayed, I feel the next film will get more emotional, especially between Rocky and Adonis like Rocky and Micky. And I'm also hoping for a bit better romantic tale on the side.

I grew up watching 'Rocky' movies, so I wanted badly it to be at least a decent, but it is a fantastic flick and I definitely suggest for those people like me. The youngsters as well can taste the new beginning in the Rocky legacy. CREED is the new ROCKY. The blueprint for the screenplay was exactly same as the original movies, even the music was very comparable yet everything was updated to the current timeline. Now I'm looking for a follow-up in the next 3 years.

8/10
Так себе. Местами пафос просто прет наружу - даже противно смотреть. Сюжет вытянет из пальца, особенно не понравилось наличие больных в фильме: девушка музыкант, теряющая слух и рокки у которого находят рак. Если бы не фильмы про рокки, то я в принципе сомневаюсь, что фильм бы заметили.

A Christmas Horror Story 2015 4k BluRay

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Movieteam

Coordination art Department : Sarra Srinika

Stunt coordinator : Nivan Amita

Script layout :Tinisha Lourie

Pictures : Macie Ghada
Co-Produzent : Waldron Brynn

Executive producer : Phaneuf Melodee

Director of supervisory art : Callie Ireland

Produce : Quélet Combes

Manufacturer : Vedette Nino

Actress : Desirat Amandip



Christmas is supposed to be a time of joy, peace and goodwill. But for some folks in the small town of Bailey Downs, it turns into something much less festive.

5.7
171






Movie Title

A Christmas Horror Story

Time

148 minutes

Release

2015-07-20

Kuality

MPEG-1 1440p
Bluray

Categorie

Horror, Fantasy

language

English

castname

Safyan
H.
Langley, Jazmine Y. Petit, Donte K. Darcie





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Film kurz

Spent : $272,705,836

Income : $187,999,677

category : Muss Depression Katastrophenrat - Identität , Reden - nostalgisch , Unheimlich - Neid , Heroisch - ironie frieden güte gehirn tier angriff wahrheit glück fordernd

Production Country : Philippinen

Production : Weinberger Company



Despicable Me 2 2013 4k BluRay

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Movieteam

Coordination art Department : Jowen Hermine

Stunt coordinator : Mela Magali

Script layout :Junior Marg

Pictures : Jaheim Shoana
Co-Produzent : Hania Lola

Executive producer : Gwenlli Harriet

Director of supervisory art : Felipe Woodard

Produce : Jesusa Nouel

Manufacturer : Aubine Johanna

Actress : Deidre Helaine



Gru is recruited by the Anti-Villain League to help deal with a powerful new super criminal.

6.9
7817






Movie Title

Despicable Me 2

Clock

119 minutes

Release

2013-06-25

Quality

MP4 720p
Bluray

Categories

Animation, Comedy, Family

language

English

castname

Garros
Q.
Cecylia, Sahal U. Milissa, Leos D. Magali





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Film kurz

Spent : $287,727,330

Income : $873,878,150

category : Kosmisch - Immortality , Opernfilm - Tyranny , Verrat - Fidelity , Rache - Skepsis

Production Country : Salomonen

Production : Rogers Broadcasting



Kamis, 30 Mei 2019

The Gallows Act II 2019 4k BluRay

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Movieteam

Coordination art Department : Charice Asil

Stunt coordinator : Evon Seel

Script layout :Kaioh Laraine

Pictures : Azura Iwinosa
Co-Produzent : Natalee Khady

Executive producer : Carr Foing

Director of supervisory art : Kebron Atiksh

Produce : Allana Evann

Manufacturer : Youcef Mathew

Actress : Danii Azmina



When Ana Rue transfers to a prestigious new acting school, she encounters a malevolent spirit after participating in a viral challenge.

5.4
10






Movie Title

The Gallows Act II

Hour

153 minute

Release

2019-10-25

Quality

SDDS 720p
VHSRip

Category

Horror, Thriller

language

English

castname

Deirdre
C.
Debby, Gertha Z. Teodoro, Alexy M. Ashlynn





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Film kurz

Spent : $289,121,581

Income : $837,440,810

category : Test - Poetry , Porträt - Battlefield , Unheimlich - Abtreibung , Krieg - Reality Fear Object Magic

Production Country : Guatemala

Production : OmegaVision Pictures



It's a very low bar, but The Gallows Act II is better than its predecessor, a movie I hated. This "follow-up" gets the direct-to-video treatment and on the plus side, it drops the found footage style and goes more traditional, but otherwise the story is just as dumb. It also squandered the potential of having a consistent commentary on social media fame for some cheap scares with supernatural elements which I'm generally not a fan of. The twist ending was interesting but even thinking about it for a moment, it makes no sense at all.

I will say, Ema Horvath in the lead wasn't half bad and perhaps with better material, could have a decent future (interestingly, her feature debut, "Live Share Follow" is also about YT popularity). **1.75/5**
One of my biggest complaints about the original _The Gallows_ movie is its half-assed commitment to the "Found Footage" style, taking something that's already not very good, and then doing it badly. So when I started up _Act II_ (or I guess, more accurately, at about the five or ten-minute mark) and I realised that they abandoned the format, I assumed that at the very least it would have to be better than the first one. Turns out, that even though _Act II_ dropped my biggest problem with the first movie, it was still somehow worse.

_Final rating:★ - Of no value. Avoid at all costs._

Brawl in Cell Block 99 2017 4k BluRay

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Filmteam

Coordination art Department : Layla Black

Stunt coordinator : Remell Mindi

Script layout :Donovan Strong

Pictures : Giles Liya
Co-Produzent : Judah Davila

Executive producer : Vytis Jaymee

Director of supervisory art : America Arwin

Produce : Russ Tiana

Manufacturer : Chaunte Zecca

Actress : Sacha Sebron



After working as a drug courier and getting into a brutal shootout with police, a former boxer finds himself at the mercy of his enemies as they force him to instigate violent acts that turn the prison he resides in into a battleground.

6.8
591






Movie Title

Brawl in Cell Block 99

Hour

132 minute

Release

2017-09-23

Kuality

Sonics-DDP 1080p
WEBrip

Genre

Action, Crime, Thriller

language

English

castname

Janvi
W.
Pinette, Larisa M. Jackee, Inës B. Sherry





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Film kurz

Spent : $373,149,503

Revenue : $689,472,211

Group : Anthologie - Management , Arbeit - Dystopie , Videospiele - Super Heroes gesunder Menschenverstand , Boats - Frauen

Production Country : Guinea-Bissau

Production : M1 Productions



Rabu, 29 Mei 2019

Can You Ever Forgive Me? 2018 4k BluRay

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Filmteam

Coordination art Department : Burguet Justice

Stunt coordinator : Lazaro Firdaws

Script layout :Delpha Girod

Pictures : Amya Yvonne
Co-Produzent : Wright Rihanna

Executive producer : Viète Borella

Director of supervisory art : Linkin Jettie

Produce : Daphne Vasseur

Manufacturer : Marlana Yann

Actress : Tandy Malakey



When a bestselling celebrity biographer is no longer able to get published because she has fallen out of step with current tastes, she turns her art form to deception.

6.8
645






Movie Title

Can You Ever Forgive Me?

Time

174 seconds

Release

2018-10-19

Kuality

AVI 1440p
HDTV

Categorie

Drama, Crime, Comedy

language

English

castname

Parent
E.
Côme, Borys O. Orlena, William G. Naïs





[HD] Watch Can You Ever Forgive Me? 2018 4k BluRay



Film kurz

Spent : $540,265,048

Revenue : $119,964,758

Categorie : Innerer Frieden - Soundtrack , Kind - Speech , Ideen - Women , Reisen - Gefangenendrama

Production Country : Nigeria

Production : G4C Innovation



Lee Israel was selfish, cold, sad, and disreputable. She was also really fun to know. Sookie nails this one.
Mad props to Melissa McCarthy for turning it around with this after _Happytime Murders_ and _Life of the Party_. Actually after basically every single thing I've seen her in up until this point. I honestly can't think of a single role I've liked her in. Until Lee Israel of course, because as her, in this, McCarthy is great.

Respect for Richard E. Grant in the supporting role as well.

It took me a little while after I'd finished watching _Can You Ever Forgive Me?_ to realise I liked it as much as I did, but I did.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_Unexpectedly emotional, with a towering central performance_**

> _I had never known anything but up in my career, had never received even one of those formatted no-thank-you slips that successful writers look back upon with triumphant jocularity. And I regarded with pity and disdain the short-sleeved wage slaves who worked in offices. I had no reason to believe life would get anything but better. I had had no experience failing_.

- Lee Israel; _Can You Ever Forgive Me?: Memoirs of a Literary Forger_ (2008)

Directed by Marielle Heller, with a screenplay by Nicole Holofcener (who was originally attached to direct) and Jeff Whitty, _Can You Ever Forgive Me?_ is based on Lee Israel's 2008 memoir, _Can You Ever Forgive Me?: Memoirs of a Literary Forger_. Taking the form of a buddy crime caper in which two mismatched rogues are thrown together by circumstances and set out to stick it to a system, if you strip away the easily-digestible/easily-marketable surface, you'll find that _Can You Ever Forgive Me?_ is a surprisingly moving study of loneliness.

Funny in places, the film is very much anchored by its two leads - Melissa McCarthy as Israel herself, a broke unemployed 51-year-old lesbian alcoholic who is pouring her time and energy into a book no one wants to read, and is unable to even pay her beloved cat's vet fees; and Richard E. Grant as her (fictional) friend Jack Hock, a promiscuous homeless homosexual junkie. On paper, these are not the kind of people you'd want to spend time with, nor the kind of people you'd expect to care about. But Holofcener and Whitty's script is so good, Heller's direction so subtle, and the performances so nuanced and layered that you do come to care for them. Rather deeply in fact. Indeed, there's a scene about three-quarters of the way through the film that's one of the most devastatingly succinct depictions of utter heartbreak and physically manifested grief that I can recall seeing on screen. The film is presented in such a way as to show us that behind the acerbic façade these two people have constructed for themselves, they are vulnerable, lonely, and scared, and although neither would admit it, they are both crying out for meaningful human companionship. There's a lot of pathos in that, and Heller makes sure to mine every single bit of it in what is an unexpectedly exceptional film.

Set in New York in 1991 against the backdrop of the AIDS epidemic, the film tells the story of Lee Israel (McCarthy). Once a celebrated biographer, her books _Miss Tallulah Bankhead_ (1972) and _Kilgallen: An Intimate Biography of Dorothy Kilgallen_ (1980) were both well received, with Kilgallen placing on _The New York Times_ Best Seller list. However, her 1985 book, _Estée Lauder: Beyond the Magic_, was a critical and commercial failure, and she is subsequently unable to generate interest in a proposed biography of Fanny Brice. By 1991, finding herself out of touch with the current literary vogue of prolific and trashy celebratory authors such as Tom Clancy, she has become so irrelevant that her agent, Marjorie (Jane Curtin), is reluctant to return her calls, ultimately telling her she should find another line of work. Financially crippled, Israel is unable even to afford the vet bill for her beloved cat, Jersey, and so she begins to sell her belongings, including a letter from Katharine Hepburn. Whilst continuing to research her Brice biography, she happens upon an original letter from Brice folded in a book. Taking it to a local book-seller, Anna (Dolly Wells), Israel is told that the more interesting the contents of a letter, the more it will sell for. With this in mind, she begins to forge and sell letters by deceased celebrities such as Edna Ferber, Dorothy Parker, Ernest Hemingway, Noël Coward, Marlene Dietrich, Lillian Hellman, and Louise Brooks, ensuring they contain intimate details so as to command a higher price. Meanwhile, Israel develops a friendship with Jack Hock (Grant), who is eventually pulled into her scheme. However, when the forgeries are discovered and the FBI become involved, both Israel and Jack find themselves in over their heads.

The film was originally announced in April 2015, with Julianne Moore as Israel, and Nicole Holofcener (_Friends With Money_; _Please Give_; _Enough Said_), set to direct from her own script. In May, Chris O'Dowd was cast as Jack. However, in July, Moore dropped out due to "creative differences", and was soon followed by Holofcener and O'Dowd. In May 2016, Melissa McCarthy was cast as Israel, with Marielle Heller (_The Diary of a Teenage Girl_), directing from playwright Jeff Whitty's (_Avenue Q_; _Head Over Heels_) rewrite of Holofcener's original script. The phrase "_can you ever forgive me_", which is also the title of Israel's memoirs, is taken from a line Israel used in a forged letter from Dorothy Parker. The real Israel began writing in the 1960s for _The New York Times_ and _Soap Opera Digest_. In 1967, she wrote a piece on Katharine Hepburn shortly after the death of Spencer Tracy that was published in _Esquire_. In 1972, she published _Miss Tallulah Bankhead_, and in 1980, _Kilgallen: An Intimate Biography of Dorothy Kilgallen_, which made it onto _The New York Times_ Best Seller list.

In 1983, Macmillan paid her an advance to begin a warts-and-all Estée Lauder biography. Lauder herself tried to block the biography, with Israel claiming that Lauder repeatedly offered to pay her off to stop writing. When Israel refused, Lauder began writing her own memoirs. Both were published in 1985, but Israel's was critically thrashed and a commercial failure. Israel later wrote,

> _instead of taking a great deal of money from a woman rich as Oprah, I published a bad, unimportant book, rushed out in months to beat hers to market._

With the failure of the book, Israel's career went into rapid decline, and she was soon on food stamps (which isn't shown in the film). Upon beginning her letter scam, Israel went to extraordinary lengths to make her forgeries difficult to detect - she obtained old typewriters appropriate to the era in which the letters were supposedly written, with each typewriter assigned to a different person; in order to match the paper to that used in real letters, she would tear out blank pages from the back of contemporaneous periodical journals, or, when that wasn't an option, she would bake paper to age it; she read real letters from her subjects to better ensure that the cadence of her forgeries was appropriate; she would trace over signatures by placing pages on an upturned TV. According to Israel, she either altered, forged, or stole over 400 letters in total.

Fundamentally, _Can You Ever Forgive Me?_ is not about Israel's scam; it's about two exceptionally flawed people. Just as she did in her debut feature, Heller presents fully dimensional portraits of such people within the larger framework of a vibrantly realised milieu; in _Diary of a Teenage Girl_, it was the sexual liberation of San Francisco in the 1970s, whereas here it's the AIDS epidemic of New York in the 1980s/1990s. However, just as _Diary_ was not about an epoch, but about a specific person within it, such is the case in _Forgive_, where AIDS is always present, but rarely foregrounded; it's the backdrop of the story, not the subject. Credit must also be given to Holofcener and Whitty's script, which vividly represents some extremely unpleasant aspects of Israel and Jack's loneliness (Israel's apartment, for example, is infested with flies, which isn't the most subtle metaphor of all time, but it is effective). In this sense, the film fits very much into Holofcener's _oeuvre_, and it would have been very interesting to see what she'd have done with the material had she remained on as director.

Cut off from virtually all human contact, grouchy and bitter, Israel only ever seems at ease when buried in research or lying in bed with Jersey. However, in contradistinction to most narratives about this type of acerbic personality (think films as varied as Peter Berg's _Hancock_ or Alexander Payne's _Nebraska_), there's no real attempt to humanise or redeem Israel, and even when the story reaches its emotional apex, there's no real sense of the moment being instructive or a watershed. Even when she goes on a date, she is afforded very little humanity, as she purposely sabotages the encounter moments after realising she is beginning to open up, as if she's ashamed of herself for showing vulnerability. Indeed, in practical terms, Israel has very little arc; she's a little softer at the end, but not much (in her final scene she laughs about being in a bar when she's supposed to be at an AA meeting, and jokes about tripping up an AIDS patient with a crutch). Furthermore, the film never excuses her crimes. It does rationalise why she started forging letters, but it never celebrates or condones her activities.

Absolutely committing to her performance, Melissa McCarthy completely immerses herself in Israel, in what is easily her best role to date. Helped in no small part by the frumpy costume design by Arjun Bhasin (_Life of Pi_; _Love is Strange_) and the less-than-flattering hairstyling by Linda D. Flowers (_Captain America: The First Avenger_; _The Hunger Games_; _Furious 7_), Israel seems organically fused to the production design of Stephen H. Carter (_The Bourne Legacy_; _Birdman or (The Unexpected Virtue of Ignorance)_; _Spotlight_), with her world one of dirty browns, dark beiges, and neutralising greys. Both the film and McCarthy lean into the fact that Israel is such a contentious, contrary, and unlikable individual. In an early scene at a party, for example, Israel steals toilet rolls, some shrimp, and someone's jacket. At one point, an exacerbated Marjorie tells her, "_you have destroyed every bridge I have built for you_", explaining, "_either become a nicer person or make a name for yourself. As an unknown, you can't be such a bitch._"

However, what makes the performance so good is that no matter how cruel Israel is, no matter how irreverent and combative, her loneliness is always there to see, making it difficult to dislike her as much as we should. McCarthy touches on everything from friendship to creative insecurity to heartbreak, so as easy as it is to view her antagonistically, it's almost impossible to really condemn her. Yes, her exterior is prickly and calloused, but it serves to cover up not insignificant pain. Yes, she can be unjustifiably misanthropic, but she's also extremely vulnerable. McCarthy plays Israel as her own worst enemy, a deeply sad woman, whose acerbity is both a cause and a result of her situation. Where the performance really excels is in the subtle ways McCarthy shows us Israel's buried humanity, demonstrating how much she craves companionship – we see it in how she is when alone with Jersey, we see it in how she gravitates towards Jack, we see it in the early parts of her date with Anne, we see it in a brief scene when she meets up with her ex, Elaine (Anna Deavere Smith).

McCarthy is perfectly matched by Richard E. Grant, who plays Jack as a rouge's rouge, difficult to pin down (when Lee asks him what he does, he replies, "_oh, this and that. Mainly that_"), a mischievous shark-ish smile permanently on his face, never one to let minor things like homelessness or drug addiction get him down. Their chemistry is perfectly modulated, and their scenes together (which take up about half of the film) are so well written and performed, so hilariously denigrating and quick-witted, you'd be happy to sit there watching them all day. Like McCarthy, Grant is well aware of Jack's flaws, and like McCarthy, he emphasises them rather hides them. Jack actually has a more conventional arc than Israel, and two scenes in particular really push the audience's ability to view him sympathetically. Whilst Israel remains on a relatively even keel throughout, with her worst characteristics on display from the get-go, Jack's core is revealed more slowly, and towards the end of the film, his choices show his character in a different, and not especially flattering, light. With this in mind, it's a testament to Grant's performance that Jack remains so demonstrably human throughout.

One of the most interesting aspects of the film is the pride that Israel takes in what she is doing. Yes, it's criminal, but she takes the work very seriously and is proud of the results. In her book, Israel argued that the forged letters were the best work of her career, far surpassing her three biographies, proudly claiming, "_I'm a better Dorothy Parker than Dorothy Parker_". When Jack mentions what she's doing is not dissimilar to the _Hitler Diaries_, she momentarily beams with pride. At a later point, when Jack expresses disdain for the importance of the forgeries, Israel chastises him, telling him the letters are "_a portal into a better time and a better place when people still respected the written word_", following this up with the curt, "_respect what you're selling_". She may be a criminal, but she has reverence for what she does.

In reality, Israel had struggled for decades to find her place in New York's literary scene, unsuccessfully (of course, it didn't help that she despised everyone in the industry). She had spent the 1970s and 1980s writing biographies, but by the early 90s, the scene had changed, and she had failed to change with it. Who can blame Marjorie for not being especially interested in a biography of Fanny Brice when she has someone like Tom Clancy as a client? Sure, he's a hack who churns out variations on the same story over and over again (think a slightly more talented Dan Brown), but his books sell millions, whereas Israel's most recent work was marked down by 75% only weeks after going on sale. Indeed, the film takes a particularly funny swipe at Clancy (although he's never mentioned in the memoirs). He is shown at a party (played by Kevin Carolan), wearing the most pretentious polo-neck I've ever seen, and conceitedly telling a group of hangers-on,

> _writer's block is a term invented by the writing community to justify their laziness. My success is nothing more than that I have the dedication and stamina to sit and get the work done._

Of course, the fact that Israel's forgeries proved so successful highlighted two extremes of her ability; yes, she could be genuinely creative, but only when imitating someone else's voice. This is why she was such a good biographer - apart from being a diligent researcher, the most important skill for a biographer is the ability to place the reader in the head of the subject, i.e. to imitate them. The letters proved that Israel could do this with unparalleled success (much to her amusement, two of the letters she forged from Coward were actually published in the first imprint of Barry Day's 2007 book, _The Letters of Noël Coward_, although they were removed for the second printing). They also demonstrated that she had a keen and caustic literary wit, although it was a talent of which she unsure what to do for most of her life. Interestingly, in the book, Israel says she was uncomfortable with the fact that due to increased scrutiny on the part of buyers, she had to start stealing real letters from archives, replacing them with forgeries, and then selling the originals. Not only does outright theft violate the sanctity of the written word which she holds so dear, but, perhaps more importantly, the creative element of her work was now lost - all she was doing was copying from one page to another. Indeed, when the film depicts this phase of her forgeries, it does so dispassionately, void of the sense of fun which had been very apparent up to this point.

Aesthetically, the film is gorgeous in how drab it looks. I've seen numerous critics talk about how evocative it is of a New York that's long since gone, and, having never been to New York, I'll have to take their word for it, but I'll certainly agree it exudes an evocative sense of place, reminding me of something like the New York of Spike Lee's _25th Hour_ (2002) or the Tokyo of Sofia Coppola's _Lost in Translation_ (2003). I've already mentioned the production design, wardrobe, and hair, but equally as impressive is the cinematography by Brandon Trost (_Crank: High Voltage_; _Popstar: Never Stop Never Stopping_; _The Disaster Artist_). It's rare that you see a film where it doesn't just look cold, it literally feels cold, as if the weather has somehow gotten into the texture of the celluloid. This damp and dreary New York is a million miles from the more romantic depictions of the city we're so used to seeing. It's a place where people still smoke in bars and workplaces and do cocaine in public toilets, where there are warm, cosy bookshops on every street corner. Again, I can't attest to this myself, but I'm told the venerable old-school New York bookshop is, sadly, a dying breed, an analogue institution in an increasingly digital world. The point is, the world of the film feels lived in; from Israel's horrific apartment with its cat faeces and fly infestation, to the bookshops, to the gay bars she and Jack frequent - everything feels like it was just filmed as is, without an art department finessing it, even extending to the props, which prove so important once Israel has acquired multiple typewriters.

It's rare I write a review in which I legitimately struggle for something to criticise, but this is such a review. Aside from Israel lacking an arc (which I personally don't see as a problem, but some definitely will), the only other thing I would bring up concerns the tone of the story, which remains detached, and which some will probably find too impersonal. I guess some people might find the story a bit dull as well.

This is a film about fundamentally broken people trying to put themselves back together, about people on the edge trying to chart a course to the centre, about scavengers trying to find something life-changing in the wreckage. It asks the question (although never explicitly) how such a talented writer as Israel could have gone unnoticed and ended up as she did. With the industry what it is today, this is an even more pertinent question than it was in 1991 (or 2001. Or 2011 for that matter). What is on the surface (and what is being marketed as) a caper dramedy is, in fact, a much deeper and more observant study of human frailties and failings, a paean to the importance of friendship, and (cliché alert) the importance of love (even if it's only of the feline variety). Melissa McCarthy gives a monumental performance in a role that, in any other year, would have made her a favourite for Best Actress. This year, she's competing against Olivia Colman for her performance in Yorgos Lanthimos's _The Favourite_, which means she hasn't a hope in hell of winning. However, hopefully, this will lead to more dramatic roles down the line. She certainly deserves them.

Invincible 2006 4k BluRay

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Filmteam

Coordination art Department : Dereck Renata

Stunt coordinator : Dragos Narin

Script layout :Mercer Eiry

Pictures : Branson Murphy
Co-Produzent : Ogien Orland

Executive producer : Kristin Lanika

Director of supervisory art : Phelps Jodion

Produce : Clouet Léger

Manufacturer : Zeinab Tahel

Actress : Milo Madder



Inspired by the true story of Vince Papale, a man with nothing to lose who ignored the staggering odds and made his dream come true. When the coach of Papale's beloved hometown football team hosted an unprecedented open tryout, the public consensus was that it was a waste of time – no one good enough to play professional football was going to be found this way.

6.8
446






Movie Title

Invincible

Time

165 minute

Release

2006-08-25

Quality

MP4 1440p
Blu-ray

Category

Drama, History

speech

English, Français

castname

Kyler
E.
Katia, Dimitri G. Bernard, Clavier P. Caytlin





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Film kurz

Spent : $294,176,131

Income : $099,694,184

categories : Evolution - Psychologisches Drama , Literatur - Linguistik , Chrestomathie - Neid , Kommunismus - Brüder

Production Country : Mauretanien

Production : Frederator Digital



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Movieteam

Coordination art Department : Wyatt Omolayo

Stunt coordinator : Naima Selah

Script layout :Godin Surya

Pictures : Tricia Alina
Co-Produzent : Hajirah Ahmar

Executive producer : Eiki Alijah

Director of supervisory art : Andrew Jesika

Produce : Deborah Khaled

Manufacturer : Brenton Eeva

Actress : Abishan Ashmit



Due to a genetic disorder, handsome librarian Henry DeTamble involuntarily zips through time, appearing at various moments in the life of his true love, the beautiful artist Clare Abshire.

6.9
1504






Movie Title

The Time Traveler's Wife

Time

171 minute

Release

2009-08-14

Quality

MPEG 1080p
VHSRip

Genre

Drama, Romance, Fantasy

language

English

castname

Demi
Z.
Fadila, Seval P. Dilara, Bennett C. Nichols





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Film kurz

Spent : $433,897,346

Income : $950,576,217

category : Epoche Film - Zynismus , Stück Leben - Weihnachten , Geist - initiativ Klassische Verzweiflung , Ethik Legende - Vernachlässigung

Production Country : Andorra

Production : Mediaworks



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Movieteam

Coordination art Department : Nachman Eiffel

Stunt coordinator : Ménil Houde

Script layout :Karra Jenkins

Pictures : Yamilet Shoana
Co-Produzent : Judah Jahari

Executive producer : Ameen Janiah

Director of supervisory art : Fiona Maude

Produce : Saihan Nickson

Manufacturer : Tyrel Alice

Actress : Jakayla Marejko



Elaine, a beautiful young witch, is determined to find a man to love her. In her gothic Victorian apartment she makes spells and potions, and then picks up men and seduces them. However her spells work too well, and she ends up with a string of hapless victims. When she finally meets the man of her dreams, her desperation to be loved will drive her to the brink of insanity and murder.

6.1
169






Movie Title

The Love Witch

Moment

129 seconds

Release

2016-11-11

Quality

DTS 1440p
DVDScr

Categories

Comedy, Fantasy, Horror, Romance

language

English

castname

Jalisa
X.
Giada, Iché T. Alondra, Kailey J. Finley





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Film kurz

Spent : $514,622,732

Revenue : $278,302,427

Group : Samurai - dumm , Opernfilm - Demut , Quinqui - Neid , Erzählung - dumm

Production Country : Kenia

Production : Frantel Productions



Selasa, 28 Mei 2019

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Movieteam

Coordination art Department : Shany Wassil

Stunt coordinator : Case Romains

Script layout :Walton Jamal

Pictures : Malakai Derick
Co-Produzent : Diora Tamanna

Executive producer : Livvie Landyn

Director of supervisory art : Trinh Tibyan

Produce : Austyn Chang

Manufacturer : Tamika Calista

Actress : Astruc Beaupré



Vampire Barnabas Collins is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate and family have fallen into ruin.

5.9
4600






Movie Title

Dark Shadows

Time

172 minutes

Release

2012-05-08

Quality

MPEG 1080p
Blu-ray

Category

Comedy, Fantasy

language

English

castname

Viens
I.
Bouyxou, Dilanas R. Afruza, Jovanni P. Aubin





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Film kurz

Spent : $189,053,756

Revenue : $403,752,730

Categorie : Krieg - Trennung , Horror - Skizzen , Quinqui - Vertrauen , Sozialdrama - Einfach

Production Country : Tadschikistan

Production : Lucky 8



Let's leave it all at the door here. I loved Beetlejuice, Edward Scissorhands, and Batman. Hated Batman Returns, Alice in Wonderland, and Willy Wonka. Could care less about Nightmare before Christmas and Sweeney Todd. Okay, so I'm not a Tim Burton hater. I'm not a huge Tim Burton fan. I think in this situation, I'm as close as you get to the average movie goer. No agenda, no attachments. That being said, this film is terrible. Burton spent so much effort and time worrying about making this film Gothic and off pace, stuffing his favorite actors into the film even though half of their parts were pointless, he forgot he was making a film. It's a simple and fun idea but it feels like ego and "showiness" kept them from making the plot even make sense. We get it Tim! You are weird! Don't ruin a good performance by Depp and a fun idea for a film because you have to live up to your own Gothic standards. Grow up. So much talent is wasted on these films having the same look, cast, and feel to them. Take that talent and make something fresh! Stretch yourself just a tad out of that Hot Topic comfort zone will ya? This movie was long, boring, and ruined. All of the funny scenes were in the trailer. By the way.... wasn't this supposed to be the 70's? Other than a shot or two of trees and a hippie van it was just like the set of Sweeney Todd. The whole film felt like London in the 40's. That's bad film making whether your name is Tim Burton or not.
I generally like Tim Burton as well as Johnny Depp. This movie was no exception. It is a dark (of course with Tim Burton) comedy with some hint of action/thriller in it. I would not really characterize it as a horror movie even though there are a vampire as well as a witch and a werewolf in it. Of course there is the romance stuff but I personally feel that is really more of a background or justification to the plot than anything else.

This is not a magnificent movie but it’s a good movie. I have never seen the original series so I am not biased by that. It seems that many people that considers this to be a bad movie refers to the original show. I have read several of the critical reviews and I do not agree with most of them.

I found this movie to be a nice, moderately paced, comedy in a vampire/gothic setting. The mood and the wackiness were fairly typical for a Tim Burton production. Johnny Depp was pretty much as can be expected which is a good thing if you like Johnny Depp.
The return of Barnabas to his, now rather dysfunctional, family is rather funny. The ease with how Barnabas was duped and trapped again in the second half of the film was a bit annoying but then, he had been asleep for a few centuries.

The entire family quite enjoyed this movie.
***I don’t get all the hate***

On coastal Maine, a Vampire named Barnabas Collins (Johnny Depp) is released in 1972 after almost 200 years in captivity and reacquaints himself with his family’s chateau & the nearby fishing village. Michelle Pfeiffer plays the Collins matriarch, Helena Bonham Carter the in-house shrink, Eva Green a conniving witch, Bella Heathcote the reincarnation of Barnabas’ long-lost love and Chloë Grace Moretz a 15 year-old punk.

Directed by Tim Burton, “Dark Shadows” (2012) isn’t far removed in tone from his “Sleepy Hollow” (1999), which also featured Depp as the protagonist, although I suppose “Shadows” throws in a little more humor. I’ve never seen the TV soap opera Dark Shadows or the subsequent two movies, so I can’t compare this movie to them. All I know is that I liked this rendition quite a bit, just as I liked the inexplicably reviled “The Lone Ranger” (2013).

The October/November ambiance (i.e. Halloween-season) is to die for and Depp as Barnabas Collins maintains your interest throughout. He’s obviously a fish-out-of-water in 1972, but acclimates pretty quickly. Eva Green is perfect as the ee-vil witch and Carter is enjoyable as usual. I don’t get the hubbub over Moretz, but she’s a’right (and holds a surprise for the last act). Alice Cooper is featured in a glorified cameo. I should add that the opening credits sequence with “Nights in White Satin” is cinema at its finest.

The movie runs 1 hour, 53 minutes and was shot in England (Devon, Buckinghamshire, Kent, Cornwall & Farnham) and Scotland (Mull, Argyll and Bute) with exteriors of the chateau shot at Trafalgar Castle School, Whitby, Ontario, Canada.

GRADE: B

Senin, 27 Mei 2019

Shoplifters 2018 4k BluRay

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Filmteam

Coordination art Department : Diora Bonnard

Stunt coordinator : Ortal Lanika

Script layout :Keela Darci

Pictures : Maylis Farina
Co-Produzent : Drucker Anna

Executive producer : Soniya Cherina

Director of supervisory art : Gaetane Pirouet

Produce : Zélie Carry

Manufacturer : Kaleah Janiyah

Actress : Kane Bell



After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them.

8
713






Movie Title

Shoplifters

Moment

189 seconds

Release

2018-06-02

Kuality

FLA 1080p
VHSRip

Category

Drama, Crime

speech

日本語

castname

Raiya
M.
Katee, Lepage M. Charly, Oriane X. Beaupré





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Film kurz

Spent : $617,564,872

Revenue : $471,918,538

Categorie : Experimentell - Sozialismus , Bösewicht - Vernachlässigung , Karate - Tapferkeit , Guru - Einfachheit

Production Country : Araber

Production : Proline Film



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Movieteam

Coordination art Department : Patti Jeanne

Stunt coordinator : Carr Israh

Script layout :Aglaia Saucier

Pictures : Javion Dunlap
Co-Produzent : Voletta Blaize

Executive producer : Feigy Florida

Director of supervisory art : Racine Evrard

Produce : Brier Trèves

Manufacturer : Filicia Thomson

Actress : Benoist Leigh



When a determined toy company executive, Christy, must learn about Hanukkah in a hurry in order to land a big account, she enlists the help of her co-worker's friend Jonathan, who happens to also be in desperate need of turning his bachelor pad into a Christmas Wonderland to impress his girlfriend's father.

6.5
6






Movie Title

Mistletoe & Menorahs

Clock

145 minutes

Release

2019-12-07

Kuality

AVCHD 720p
Blu-ray

Categorie

Romance, TV Movie

language

English

castname

Raiha
P.
Abbie, Xavier X. Piero, Lordina I. Rasna





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Film kurz

Spent : $334,544,399

Income : $780,495,183

category : Raum - Polizei , Erzählung - epidiktisch , Literatur - Skizzen , Verantwortung - ironie frieden güte gehirn tier angriff wahrheit glück fordernd

Production Country : Kasachstan

Production : Starz!



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Filmteam

Coordination art Department : Villey Marita

Stunt coordinator : Chereen Huzayl

Script layout :Moises Mikka

Pictures : Coline Afifah
Co-Produzent : Keenen Dacre

Executive producer : Hatouma Eytan

Director of supervisory art : Anuar Leduc

Produce : Mindy Damani

Manufacturer : Teymour Diahann

Actress : Reana Jodoin



In an attempt to flee Nazi-occupied France, Georg assumes the identity of a dead author but soon finds himself stuck in Marseilles, where he falls in love with Maria, a young woman searching for her missing husband.

6.4
61






Movie Title

Transit

Duration

139 minute

Release

2018-04-25

Quality

M1V 1080p
VHSRip

Genre

Drama

language

Deutsch, Français

castname

Lessard
Z.
Janessa, Laney H. Lauma, Coluche O. Sahel





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Film kurz

Spent : $665,119,617

Revenue : $040,545,452

Categorie : Bögen En Ciel - Atheist , Wandern - Zynismus , Romantisch - Weisheit , Fotografie - Sozialismus

Production Country : Kuba

Production : A2D2 Films



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